CORT   THEATRE
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FIRE NOTICE:  The exit, indicated by a red light and sign, nearest to the seat you occupy, is the shortest route to the street.
In the event of fire or other emergency please do not run---WALK TO THAT EXIT.

JOHN J. MCELLIGOTT, Fire Chief and Commissioner

 

THE     PLAYBILL     PUBLISHED     BY     THE     NEW     YORK     THEATRE      PROGRAM     CORPORATION


 

BEGINNING
MONDAY EVENING,
APRIL 6, 1936
"Boy Meets Girl" Playbill cover (1936). MATINEES
WEDNESDAY AND
SATURDAY



GEORGE ABBOTT

Presents

BOY  MEETS   GIRL

A New Play

By

BELLA and SAM SPEWACK


Staged by Mr. Abbott

Settings by Arno Lundborg



CAST
(In Order of Appearance)

 

ROBERT LAW
LARRY TOMS
J. CARLYLE BENSON
ROSETTI
MR. FRIDAY (C. F.)
PEGGY
MISS CREWS
RODNEY BEVAN
GREEN
SLADE
SUSIE
A NURSE
DOCTOR
CHAUFFEUR
YOUNG MAN
STUDIO OFFICER
CUTTER
ANOTHER NURSE
MAJOR THOMPSON

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ALLYN JOSLYN
CHARLES MCCLELLAND
JEROME COWAN
EVERETT SLOANE
ROYAL BEAL
JULIE LAWRENCE
LEA PENMAN
JAMES MACCOLL
GARSON KANIN
MAURICE SOMMERS
JOYCE ARLING
HELEN GARDNER
PERRY IVINS
JUAN VARRO
PHILIP FAVERSHAM
GEORGE W. SMITH
ROBERT FOULK
GEORGETTE MCKEE
JOHN CLARKE



Andrea King's appearance in the smash Broadway hit "Boy Meets Girl" was brief. She had met with the legendary director George Abbott while she was still appearing in "Fly Away Home," and he had remembered her impressive performance as Buff Masters in that play. But after it closed, 16-year-old Georgette McKee (Andrea) left New York right away to visit her grandmother in Palm Beach for an extended vacation. Mr. Abbott's office tracked her down in Florida and offered her the small part of a nurse in "Boy Meets Girl," while understudying Abbott regular Joyce Arling, who had signed on as the female lead. Georgette was terribly flattered that Mr. Abbott had gone to such great lengths to locate her, and she thought nothing of the fact that she was several years too young to step into this leading part--a fact that also had been clearly missed by Mr. Abbott when he had previously met with her--and she happily joined the new hit production. Several months into the run, an understudy rehearsal was called. Mr. Abbott was organizing a touring company, with the idea of using his Broadway understudies for the play's touring leads. One look at Georgette during this rehearsal revealed his casting error, and immediately afterwards he asked Garson Kanin (for reasons unknown), who was also a member of the cast, to notify Georgette of her release from the production. It was a blow to our young actress, but an understandable one. And like the trooper she was, she picked up the pieces and moved on.



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